Forgotten Fields, ili how ga ja volim zvati -Walking Simulator: Egzistencijalna Kriza - niis andgra koju ćete iwhen vidjeti na top 10 listma, but to nije ni važno. Ona postands u pukotini between današnje gaming industriis and nečega mnogo tišeg, osobnijeg. This is it meditacija o leavesnju djetinjstva, o sporim ljetnim danthere is i o tome how nostalgia može be i ugodna i tužna u isto vrijeme. Gamemo as Sid, pisac s kreativnom blokadom, what je poprorčno meta, because čini se da su and developeri doživljavali istu stvar kad su wrote dijaloge.
The game is slow. Not just slow, but lullingly contemplative, as if trying to hypnotize you into stopping playing. Controls? It's like trying to manage ice cream on a hot summer day. Dialogues? Like reading a high school philosopher's social media posts.
However, it cannot be denied that it has a strange, charming atmosphere. Yes, it technically squeaks, but underneath that squeak it has a heart. And maybe even (shyly) the soul. The narrative is not perfect, and neither is the performance, but the emotional honesty cuts through all the technical flaws. It's a reminder that video games don't always have to be escapism. They can be a mirror of ourselves or even a farewell letter.
Forgotten Fields is a small reminder that there are still authors who believe that games can be personal, silent conversations between creators and players. In conclusion, this game is recommended for those looking for meaning rather than spectacle.
A copy of the game was provided by the publisher Nejcraft for review purposes
